Franz Anton Hoffmeister
On 1 December 1800 the conductor and composer Franz Anton Hoffmeister (1754-1812)entered into partnership using the bookseller and organist Ambrosius K?hnel (1770-1813) for that objective of creating a ‘Bureau de Musique’ in Leipzig. This initial venture prolonged its actions to printing and music engraving along with such as publishing amenities combined with the sale of musical instruments and sheet new music. The publishing aspect in the company was launched with collections of Haydn’s String Quartets, Mozart’s Quartets and Quintets together with the very first version of J.S. Bach’s Keyboard Operates in 14 volumes to which J.N. Forkel contributed the initial Bach monograph ever before to become written. As early as 1802, the publishers succeeded in obtaining piano and chamber audio from Beethoven, along with the composer’s 1st Symphony and Second Piano Concerto.

Carl Friedrich Peters

In 1806 the company passed in to the sole possession of the. K?hnel when it absolutely was officially registered under the name ‘Neuer Verlag des Bureau de Musique’. Forkel augmented the Bach collection through the addition in the composer’s Organ Operates. Other additions comprised Gerber’s Dictionary of Musicians and academic functions for piano and violin published by celebrated Viennese/Parisian academicians in the day. In 1812 the array was enhanced by functions representative from the early Romantic College, for example these of Weber and Spohr.

Following K?hnel’s untimely dying, the agency was acquired by the Leipzig bookseller Carl Friedrich Peters (1779-1827), who traded from 1 April 1814 below the name ‘Bureau de Musique de Do.F. Peters’. Regardless of the financial malaise that adopted the War of Liberation (1813-15), catalogues had been issued through the publisher, new additions becoming Theodor K?rner’s War Songs and John Field’s Nocturnes. Negotiations carried out with Beethoven involving the publication of a total edition from the composer’s performs fell via.
Soon after a long sickness, Do.F. Peters died in 1827. The enterprise went to his seven-year-old daughter and was acquired from her in 1828 by her Guardian, the producer Carl Gotthelf Siegmund B?hme (1785-1855). A fantastic lover of new music, B?hme widened the publishing actions with a significant number of new acquisitions besides attracting Carl Czerny to the staff as editor in the Bach collection, including the Solo Concertos, Brandenburg Concertos, the Orchestral Suites and the Art of Fugue. B?hme also played an energetic function in the formation of the first confederation of new music publishers for the objective of securing authorized protection. A most influential physique, this alliance incorporated this kind of names as Andr?, Breitkopf & H?rtel, Hofmeister, Peters, Schott and Simrock.

In compliance with B?hme’s last will and testament, the organization was converted into a charitable foundation below the control and supervision in the Leipzig City Council. During this period the enterprise was managed by Theodor Whistling, but when he resigned in 1860 the Board of Administrators resolved to dispose in the company towards the bookseller and audio dealer, Julius Friedl?nder. Friedl?nder introduced substantial improvements towards the process of new music engraving and drew the attention with the public to ‘cheap yet critically accurate editions’.

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